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Everybody was really happy. It's amazing that I created this little character when I was a sophomore in high school, and 13+ years later i'm still being asked to draw him!
And, of course, Bella the Boston Terrier.
-Scott
Illustrations for Scholastic Scope magazine, they adapted the Edgar Allen Poe story "William Wilson" into a play for kids. Basically William Wilson's "twin" follows him around through the years ratting him out and causing problems for him until he kills him in a sword fight and learns that he was his conscience.
This is a recent illustration for The New Yorker’s review of the Korean film “Treeless Mountain”. The movie looks quite depressing, but it proved to be great subject matter for an illustration.








My first thumbnail and loose drawing was just to figure out a pose and loose shape to play with. I knew I'd have to fit batlike wings in somewhere so Santa's chair became ornate to fit those needs. You can see I was playing with sizes and shapes still in the rough sketch from the doubled up legs on the child.
From here I grabbed a bunch of reference of classic shots of Santa, Santa's lap, happy or screaming children, etc. I wanted it to read as the quintessential happy boy waiting to tell Santa how bad he wants a bb gun type thing. Old illustrators and Saturday Evening Post covers are a great place to start for that timeless imagery, google image search helped with the rest.
Then I refined the sketch to get the folds and figures believeable. The chair became important since drawing simple ornate carvings bores me, and reflect in the drawing. So I dropped hints of Cthulhu into the before shot, which was a lot more fun. Photoshop helped a lot in that I only had to draw half and then mirror it to get a nice symmetry. 
Since the jump from before to after can't be too dramatic, I've found the best way to work is to use a print of the sketch and tracing paper to get the shapes equal. When the shapes match up, I retool them to be the after shot. Even then I end up tweaking and resizing a lot in Photoshop to get it right.
The before shot of Santa obviously dictated a lot of the after shot of Cthulhu. I had to pay attention to both my sketches and the finished paint to tell me where to go with value and color. Tentacles are always easy to play with, and matching the gestures of the beard and candy canes definitely added a nice touch. To finish off the rollover, I laid the after shot onto the before and erased out some of the wings to show some of the chair behind it, making the transition much smoother.






I'm going to really try updating the blog weekly as I am piling up a backlog of work to share. Also, I hope to share some big news in the coming months. Sorry for the long time between posts!Copyright © 2009 Illostop, Powered by Blogger
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