Corporate Dealmakers

Without fail, if I leave my studio for any extended period of time, I will get a commission that I can't turn down.

On this occasion, I went to Altoona, PA with some artist buddies to check out Illuxcon. I have a not-so-secret interest in fantasy art and this convention is the premiere showcase for original genre paintings.  While drooling over idealized yet heavily armored women and every variety of slimey monster, I received a call to do a cover for Larry Gendron at The Deal.  I went from the dude staring at paintings to the dude sitting in the corner sketching. So it goes.

Lacking a scanner I was forced to take pictures of my thumbnails my ipad, send them to my laptop and work them up in photoshop. Not exactly my ideal creative situation, but it worked.

The topic was the top 100 corporate dealmakers. When I first talked to Larry, he was trying to find reference for the top ten, so I could put them on the cover. Considering the idea of doing ten likenesses while basically scrawling on napkins left me very scared. Lucky me, editors couldn't nail down the names and faces, so instead I got to go a bit more abstract (thank Jebus).

The idea was to show these imposing corporate character as getting ready for, or running into, battle. We agreed that a color scheme based off "300" could be a nice touch. My apologies to loincloth enthusiasts for keeping the characters in suits.

running, standing tough, walking

 We settled on the standing and looking threatening option.

Pretty fun going really atmospheric, pulling out white suit highlights and really saturating the reds.

Thanks for reading!
-S

Client sketches and cafe sketches - Jason Raish

cover for the Washington Post Sunday Outlook section about Obama, the loner president and how doesn't try to befriend people in Washington, make allies and play politics like you're supposed to to get re-elected.



spot for the Washington Post Sunday Outlook section about Obama, the loner president and how doesn't try to befriend people in Washington, make allies and play politics like you're supposed to to get re-elected.

maybe i'll start posting (some) of my sketches up. i think its interesting to see illustrator's sketches against the final. and you can see how horrible most of mine are.

spot for Golf magazine's rule's guy column. this one is about a ball that bounces out of the cup.

The first time i've pulled out my sketchbook in ages. sketching at "Look Mum No Hands" a bike-centric cafe on old street in London. I was sketching these 2 girls in front of me and thought they didn't know but they said they totally knew i was sketching them after they asked to see it when i was leaving. halfway down the block one of the girls came running and asked if they could have it. So i hung out with them a couple times so far and made new friends in London town.

my flatmate at the Vintage Emporium cafe on Bacon street off of Brick Lane in London. A super cool place and my flatmate knows the owner and its right down the street from our flat.

first time i pulled out the watercolors and sketchbook in a long time. This was on another day at some french cafe on Broadway market in London. I've been on a decent cafe sketch run the last few weeks compared to my once a year average. It's sad, when I was a student it was every other day and now its been reduced to a few times a year :(

Be prepared!

Here is another fun project for AD SooJin. It's a great honor to be part of the amazing PLANSPONSOR November issue with super star artist lineup: Jillian Tamaki, Meg Hunt, JooHee Yoon, Jing Wei, Jonathan Barlett, Charles Immer, A Richard Allen, Greg Mably, Katherine Streeter, Kyle T. Webster...

The article is about "getting prepared for the future" and here is my take-

(Really glad SooJin let the perky butts run...)

Mylar experiments

I just finished another mylar piece in between jobs. Some of these mylar pieces are a bit older but I don't think I've posted them on this blog yet.

These are really just for my own personal experimentation and to hopefully evolve more as an artist. The process is quite chaotic -if you could even call it a process. I try not to expect or anticipate any result and just rely on intuition when I work on these. Obviously , you don't need mylar to do this, but the surface is quite forgiving and allows for some serious abuse.

I don't really consider these paintings or drawings or sketches....they kind of live in some weird space in-between which I like.

Thanks for checking these out -S.

Ghost Hedgehog for Tor

I feel Irene has mastered the art of matching stories with illustrators. Every time I get a project from her, I get all giddy. Nina Kiriki Hoffman's Ghost Hedgehog is a really cool story of a boy who serves as temporary ride for souls in search of closure. Her visuals are quirky and inventive, and her characters are nicely developed. It provided me plenty to play with. I would've been happy to finish any one of these thumbs, which may not be the case of every project :S



Sketch level was a bit of a challenge. Drawing 11ish year old girls is a pain. You just kinda get used to drawing fully grown adults, awkward teenagers, or cute young kids, mostly toddlers. But 11-12 year old girls are somewhat of a gray area. I just couldn't get the expressions and proportions right. There was a lot of research and A TON of girls before the ones that reached finals. These are the least embarrassing two.



And this is the drawing that went to final. By the way, the reason why the boy was not a hassle, my nephew is 11 years old.



I went through a bunch of color schemes with this one. Here's the four that I showed Irene. It's a good thing the first two were a no go. That kid looks like he's miserably walking back from a birthday party his mom made him attend since "it would've been very rude not to". Green was the first one I really liked, but then I tried some reds as well since the story has lots of them (you haven't read it yet?!).



A few emails back and forth, and Irene and I went for green.