Here are two recent pieces that I've done for The New Yorker.
The first is about the genre of crime fiction novels based in Florida.
The second piece is for and article that argues for the legitimacy of Sex And The City as a dynamic drama, not just a rom-com. It shouldn't be overlooked next to crime-dramas like its peer, The Sopranos.
The portraits were a quite the challenge, but hopefully they're pretty close. 
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